x
the_deli_magazine

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

Cancel

Alt Rock





Show Alert: Future Spa at Club Bohemia, 4/25

Upon first listening to Ripped by Future Spa, I was immediately faced with two questions: why the hell did this band wait until now to send this to The Deli (it was released in June of 2014) and why the hell have I not heard these songs before? Surf-punk, lo-fi garage rock--I could list more random sub-genres, but no one would be interested in reading them anyway. These guys have a great sound--wicked loud, wicked fast rock n’ roll. If Raw Power isn’t a collective band favorite of theirs, I would be very surprised. They’ve got a show coming up at Club Bohemia on April 25, which will probably be pretty rad. They'll be accompanied by Miami Doritos, Greasy Hearts and Dinoczar. You can check out the details here.

-Dan McMahon (@dmcmhn)

 





Redeye

Ominous guitar and bass start off the newest track from Redeye, an Austin act that straddles the line between indie pop with a folk bent and full on alt-country, but "Sleepwalk" quickly turns hopeful, if also a bit stark. It's a track about hope, in fact, and it wonders whether someone will be there for the singer in rough times they seem sure are coming. Redeye caps the lovely and heart-tweaking track with the poignant image of this hoped-for ally being "A fragile light I’ll picture always/A fire burning in the snow," and this attention to scenery and mood are central to the artist's sound.

Going from this track and a few other clips released, like this one that features track "Dryland," the upcoming third album "The Memory Layers" by Redeye (set to be released in April) looks like it will fit ideally into the Texas alt-country/folk canon. It hits that key requirement of also fitting so well into the sweeping, heat-affected spirit of Texas itself, and it's not hard to imagine the swelling fiddles and Redeye's twanging, yet not exactly country voice accompanying a long road trip across this state, even moreso for the vivid imagery conjured in each song. This album should be quite good, not only for Redeye himself's work, but also for the impressive list of artists who have also had a hand in it, including folks who have been members of or worked with groups in the past like the Polyphonic Spree, Midlake, Black Angels, Dana Falconberry, and Baptist Generals. That kind of quality roster attached to the unquestionable talent of Redeye will have a hard time creating anything but a good record, and if you'd like to be one of the first to get it in your ears, listen to "Sleepless" below and get to Redeye's show at The Mohawk with Bee Caves on April 18 for good, Texan music.

|




Vast Robot Armies

There’s a bit of a mystery surrounding Toronto prog rock band Vast Robot Armies. Are they space-robots? or something? Their latest record “Little Creatures” out early this month is an epic adventure. “Revenge For Nerds” sets the tone with some space-aged guitars that guide you through the intergalactic journey on the Vast Robot Armies spaceship. The vocals remind me a bit of the Meat Puppets with more of a rounded edge. This record will keep your head in the clouds wondering where you’re going to end up next. And that is the question…when will Vast Robot Armies appear for a live show in Toronto? Like their facebook page and download their record and the message will arrive when the planets have aligned. Whoa.-Kris “Big City” Gies

|




The Lifts @ The Cameron House

The Lifts are full throttle rock n’ roll fusion. Their music contains elements of progressive rock, metal and blues; a strong combination of muscle, imagination and weight. Their self-titled EP has what it takes, hitting us hard, endowing us with wit and an artistic certainty. Showing off their biceps, you are instantly satisfied. “What’s Her Face” is pure rock n’ roll with an ambitious sound. “The Sky is Peeling” sinks its teeth into you with grunge grit, heavy guitars and a luscious delayed vocal. “Darling” beats a drum with a heavy bellowing bluesy backbone and a vocal that “doesn’t let us down”. The last track on the EP “Mescal Blues” knocks on your heart with an unforgettable melody, as if you have known it forever; pulling its weight of heavy combinations of dark and light sounds. Don’t miss The Lifts this Friday March 20th @ The Cameron House.

|




Foxy Lemon + Cambrian Explosion to Release Split EP 3.14

Foxy Lemon and Cambrian Explosion, two distinguished bands in the Portland music scene, will release a split Joint EP, on Saturday, March 14th. In support of the release, the two bands headline Kelly's Olympian Saturday night along with Moon By You and Spirit Lake.

What sets Foxy Lemon and Cambrian Explosion apart from other active bands in the Pacific Northwest? They're honest and genuinely alternative. There aren't any hidden motives. Pop lullabies won't sneak around the corner. Though the two share the broad genre in common and indulge in their own specifics, that common thread is evident. Foxy Lemon introduce the split release with four songs that ebb and flow on a high tide. Keishi Ihara's vocals might be clouded by reminders of Jack White and Black Keys, but Ihara projects a certain type of rawness when he sings. This is a good thing. Listen to "Just Because I Can". The song begins and ends with Ihara's isolated strain. Their half of the album isn't the kind of contribution to throw into your music player, plug in head phones and zone out to. These songs are definitely well-suited for a faster drive in and out of town, with that kind of sassy attitude that could get you into trouble.
 
Cambrian Explosion have had an intense career within the local independent scene already. Their three songs on the EP indulge in fuzzy complex guitar melodies and distant and gentle cooing. Though consistently and easily filed under "psychedelia", there's a strange science fiction aspect to their sound that can't be shaken. There's a struggle between the nods to 60s-70s reverb and drug-heavy rock and futuristic noise that spells out definite progression. There's an obvious lasting impression. This split leads the listener to ask, "what's next?"
 
- Colette Pomerleau

 

 

|
|

- news for musician and music pros -

Loading...