Lurvely Deli Readers,

We are proud to introduce you to our Winter 2016 issue of The Deli NYC, featuring on the cover Brooklyn songwriter, producer and multimedia artist Brittany Campbell, portrayed by NYC comix artist Lale Westwind. Inside the issue - besides dozens of talented emerging NYC bands and artists - you'll also find a feature about the undiscovered genius of Captain Baby and the ongoing saga of Manhattan DIY art space and venue ABC No Rio. 

READ IT ONLINE HERE! It will be out in print around January 15.

An interesting name for a band that produces an interesting sound, People With Accents call to both the "90's indie" and "math rocker" in us all. Their music is so easy to get lost in, complexly blending the technicality of progressive math rock with the soft yet forceful delight of 90's indie (think Dinosaur Jr., Pavement, Sunny Day Real Estate and at times, Cursive). The two facets of People With Accents, Jacob Saulsbury and Alex McEntee, released their self titled debut back in 2012, and dropped You Could Be Wrong last year. Revel in their track "Abandon All Hope/Hope Springs Etenal," below.

-Cervante Pope

With their debut onto the Portland scene happening just last year, Second Sleep have already affirmed their well deserved place in our fairly niche realm of local music. The two piece is made up of nothing but drums and guitars - a simplistic setup resulting in a zealous execution of prime post-rock. T.J. Burke and Bruce Reed transform distortion and weighty whirls into immutable forces that can't be ignored. So far, they've played a handful of shows and have the one easily accessible track, "Motoboats." The track is an instrumental definition of the duo's technical prowess, also acting as an indicator of what can be expected from their future releases.

Second Sleep will be playing with A Collective Subconscious and Arizona's With Our Arms to the Sun at the High Water Mark on January 13th and seem to have more and more shows stacking up in the new year. 

-Cervante Pope

Right, so this is one that I debated posting for a good minute or two. If you listen, you’ll see why: this is about as bare bones and unpolished as a track gets. It’s often off-key, the subject matter is totally weird and, on top of that, it got submitted to us through some weird-ass service that we never use.

But, Austin has an admirable and strong, if a little voyeuristic, tradition of accepting so called “outsider art” if it’s done authentically, and (perhaps more so) if it’s catchy.

Somehow, through its ultra-minimal drumming, its guitar that’s picked one twangy string after another (and sometimes slightly out of time), and its totally weird vocals about a young reality star, this strange tune by Rick Milisci, obviously a guy a bit older than his subject, on the subject of Kylie Jenner is both authentic and catchy. Somehow, it’s also charming, not creepy, and pretty on the ball when it comes to having an up-to-date look at pop culture. Which, I’ll admit, are not really things we thought I’d think about it when I first clicked it on.

I think what really does it for this song is that, despite not having a lot of production polish, it does have a solid song structure and vision, and it really goes for it. Rick knows what he wants to say, and he can put a song’s parts together, even if they sound a little janky. It comes together in a way that’ll catch your ear and get you talking, whether it’s to say you hate it or, like us at The Deli, to come around and admit that this weird little ditty kinda gets under your skin. Hell, I just took a break writing this to grab some food, and I caught myself singing “Kylieeee Jennner, Kylieeee Jennner” under my breath on the way to the spot. I’m about to meet up with my brother for Christmas, and I’m pretty sure this song just rocketed to the top of the list of shit I want to show him, weird as that might be.

In all, while this isn’t our typical fare at The Deli, this is Austin. Since this is the town that claims Daniel Johnston as one of its own, and since, really, we should each be giving all art a chance if it comes from a place of authentic expression and creativity, here we are presenting you the far, far from leftfield “Kylie Jenner,” a bare-bones, off-kilter, endearing and bizarrely fun commentary on pop culture by one Rick Milisci.

Oh, and if you want to know who the hell this dude is, like we did, pretty much all we can find about him is that his “Biography” on the site he submitted to us says “Smile :),” he calls this song in particular a “Cool Surf Song about Pop Culture in 2015,” for some reason CD Baby says you'd like him if you like Flo Rida, and he has 356 songs on Myspace.

Yep. 356. One of them is named “Zookeeper Licks Monkey’s Butt.” There’s another called “Sandwiches are Beautiful.” So there’s that. Get on this weird train y’all. If nothing else, it sure is interesting.

Well, another year has gone by. Local music critic, Lindsay Stickney has made my job so much easier by using her discerning and well honed ear to choose her favorite Bay Area albums of 2015. A lot of these bands are friends and I am certainly fans of all of these artists so I was personally pleased with Lindsay's choices (which I had NO say in whatsoever).

I hope you will enjoy her picks as well. Congrats to every single band who put out music in the Bay Area this year. The Deli SF loves you all and we completely acknowledge that this was an amazing year for well produced albums and truly talented artists.

I love you all.
Happy Holidays and Happy New Year. May 2016 be more musically fruitful and inspiring!

The Deli SF Editor,
Jordannah Elizabeth

1. The Stone Foxes, Twelve Spells

Bursting, bluesy-rock vibes that make you feel less like you’re listening to a record and more like you’re singing along to gospel in a church of rock n’ roll, Twelve Spells delivers an experience. With tracks like “Cold Like a Killer”, we’re reminded of how good it feels to effortlessly sway our hips to a single-note piano and how refreshing a vibrating guitar riff can be for the soul.

2. Monophonics, Sound of Sinning

Kings of dark, slinky soul, The Monophonics’ Sound of Sinning is heavily influenced by the psychedelic rock vibes of San Francisco, providing a funky 60’s-70’s sound that takes you through a colorful ride of epic horns and funky, noir beats. Packed with gut-wrenching vocals, hazy harmonies and hammond organs, it’s easy to get lost in this record and drift away to tracks like “Falling Apart”.

3. Lee Gallagher, Lee Gallagher and The Hallelujah

Lee Gallagher’s typical folky, country roots are uprooted and replaced by a much more soulful sound layered with emotional instrumentation and howling vocals. In Lee Gallagher and The Hallelujah, we’re carried back to a delightful 70’s trippy wave of movement that prove that a simplistic sound is sometimes the most powerful.

4. Lila Rose, We. Animals.

Bass. Power. Killer vocals. Power. We. Animals. is like your sweetest nightmare induced with passion, heartbreak, manic, and complexity. With whimsical beats, haunting vocals, and tribal drums, Lila Rose delivers an intense, sexually-charged album that lays its foundation on raw aggression. Tracks like “Tracking” will abruptly awaken the pissed off, sensual warrior in you.

5. Growwler, Even Tenor

Easing in with delicate acoustics and finishing with an aggressive bluesy piano sequence, the opening song “Long Hair, Short Wits” is a true ode to the San Francisco rock n’ roll scene and is a testament to the effectiveness of brilliant, simplistic instrumentation. Even Tenor is like a nostalgic storytelling that makes us miss the moments that we never lived for.

6. Ice Cream, Ice Cream

Sweet, sweet, classic garage rock. Ice Cream’s self-titled album forces us to remember the reasons we fell in love with rock in the first place. Dirty, honest guitar riffs, quick, aggressive drum patterns, weaved into gritty barely-there vocals, Ice Cream is the perfect combination of garage sound and punk attitude that will pour gasoline on that flickering fire inside.

7. Al Lover, Cave Ritual

The great Al Lover does it again. Cave Ritual is in fact exactly how it sounds: eerie, tribal, smoky, and sensual to the extreme. Textured beats layered with staccato samples give the album an imaginative sound that catapults us into a contemporary, psychedelic rock trance. Every track will take you to the sun, the moon, and then back again. Twice.

8. The Union Trade, A Place of Long Years

The Union Trade are masters of melancholy and it couldn’t be more gorgeously displayed than in their album A Place of Long Years. The subtle, aching cello atop the fluid, chilling piano make songs like “Svalbard” an escape from reality into the ethereal landscapes of your most tragic, stunning daydreams.

9. Guy Fox, Night Owl

Guy Fox are a musical enigma: elements of funk, old-school jazz, indie, pop, and rock can all be traced at different peaks in their most recent album Night Owl. Whether it be the use of timely instrumentation or charming lyricism, Guy Fox delivers an indecisive yet addicting sound. Tracks like “The City Line” create a steamy, devious tone portraying San Francisco as a playground designed for the mischievous.

10.Toro y Moi, What For?

Light, energetic beats coupled with smooth, romantic vocals make What For? the soundtrack to your hazy, yellow summer nights. Toro y Moi is known for his synthy-pop sounds, but the release of his fourth album slayed all former musical confinement. Tracks like “Lilly” walk the perfect, delicate line of modern synth and 60’s psychedelic rock, transporting you to a blurry wonderland that you’ll want to lay in for a while.