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New Video: Audiotree Live Session - Vacationer

As snow and sleet threatens to hem you in, let this Audiotree Live session with Vacationer transport you to a warmer place of sand and surf. The session includes a solid sampling of the band’s latest album Relief via Downtown Records“ as well as some insight behind the making of the “Go Anywhere” music video. The setlist consists of “Shining,” “In The Grass,” “Stay,” “Paradise Waiting,” “The Wild Life,” and “Glimpse.”

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New Track: "Lips" - Marian Hill

Electro-soul/R&B duo Marian Hill just dropped a new groove entitled "Lips." It's the B-side to the group's new 7", which also contains the track "Got It." You can now purchase the release via LA label B3SCI Records. (Photo by Shervin Lainez)

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Krust Toons: "Government Song" by Teddy Hazard

Krust Toons: "Government Song" by Teddy Hazard - please feel free to drop him a line at teddandthehazards@gmail.com if you dig or have any funny ideas. You can also check out more of his illustrations HERE.

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Mannequin Pussy - Your Remedy for the Mondays at Hazard Hall Dec. 1

The beginning of the week can drag; however, Hazard Hall has a remedy this evening. Mannequin Pussy taps into multiple levels of sound. The trio can lay out there with an unveiled agitated punk release, or lay back somewhat sweetly, stacking up the grit in a controlled yet forceful grunge-injected melody that's half bubbly and half volatile. That ability to sit back and/or setup at opportune moments illustrates the band’s conscious powerful sense of dynamics. Thin Lips, an offshoot of Dangerous Ponies featuring Kyle Pulley bookended by Chrissy Tashijans, supply excellent riff-centric tunes as Tashijans finds a comfortable spot, distinctly delivering lyrics that you’ll naturally sing along to. Cool Points mesh the threshold of pop-punk and noise adding a menacing undercurrent that coldly cuts. Cincinnati, Ohio’s lo-fi, dream-punk three-piece equation Leggy round out this Monday special. Hazard Hall, (Please contact one of the acts or venue for more info.), 7pm, All Ages (Photo by Walter Wlodarczyk) - Michael Colavita


The Deli Philly's December Record of the Month: The Spirit of the Beehive - The Spirit of the Beehive

There is something rather dark and mysterious about a band that takes its name from a classic Spanish film that focuses on its protagonist, a young girl, who becomes fascinated by the 1931 horror movie, Frankenstein. And with an album cover that portrays a child in a bee costume positioned in front of a tombstone saying, “Here Lies Mom-n-Dad Now Their Gone Isn’t That Sad,” you can’t help but be intrigued, if not a bit disturbed. The Spirit of the Beehive is a local fledgling outfit who has popped up on my radar this past year, appearing on numerous bills, oftentimes at DIY spaces. The band has further grabbed my attention with its debut self-titled full-length album, which was recorded by The Weaks/ex-Dangerous Ponies, Evan Bernard and Chris Baglivo, and released via rising Philly indie label Ranch Records.  
 
The record’s opening track, “Roll Over,” begins with an eerie instrumentation before a languid female voice comes in with barely intelligible lines. “Cycles in and out of morphine hazes. Finding spaces between your floorboards. And I watch the dust move.” Thankfully the group provides us with lyrics on its Bandcamp page; otherwise, the beautifully poetic verses filled with drug-fueled imagery would be lost in the wash of power chords and feedback. “All lost in the black market. To wait in the fix aisle, I roll over.” You also get a sense of the band’s lo-fi, DIY aesthetic when you are abruptly taken out of the world, created by the album’s first, with studio chatter before moving on to the next track. With “Short Walk,” you can’t help but feel the influences of greats like Nirvana and more recently Creepoid with the hushed vocals and sonic bursts. These two tracks set the tone for the first half of the LP, where you travel in and out of the territories of dream pop and shoegaze when the female lead vocals grab a hold of you and then the grungier, harder-edged side takes over with the male lead. This juxtaposition provides quite an enjoyable balance that I actually wished went on longer throughout the record.
 
It’s not until “Ether,” where the two combine forces, changing the dynamic of their relationship. The title of the song suggests that you might be finding something more ethereal; however, the driving bass line provides a sense of urgency throughout the track. It also marks the point where the male lead begins to dominate the rest of the album, while taking on some of the characteristics of its counterpart. What remains a constant is a psychedelic, drug-filled angst full of guitar licks and distortion, giving off the vibe of a band that is here to rock, and they don’t care if you are ready for it or not.
 
The Spirit of the Beehive closes out their ambitious LP with the longest and cleanest sounding recording on the album, “Fever Dream,” demonstrating that they don’t need to hide behind studio effects, while making you wonder where their follow-up release will go next. It’s an eclectic and modern sounding record that also pulls from past genres I hold close to my chest. I highly recommend that you go download it ASAP. - Q.D. Tran

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