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The Gang of Thieves -- Dinosaur Sandwich Party

No need to worry about bland, generic tunes here. If the Darth Vader-esque monologue at the beginning of Raw Milk doen’t grab your attention, hopefully the funky riffs do. If not, check your pulse.

With its colorful album cover displaying exactly what the title says, The Gang of ThievesDinosaur Sandwich Party appears to be the kind of party to end all other social gatherings. The Burlington, VT band came together in early 2009, and currently the band boasts a 50 percent chance of dreadlocks.

Dinosaur Sandwich Party is their second full-length album and was released in August, 2011. The album expertly pens the jam session vibe, full of sweet bass and a mood that sways between upbeat and laid-back. The Gang’s funky rock and roll sound is both bouncy and smooth, but they can also pull off that dirty, old-school rock style, most notably in Necromantic Judo, whatever that song title means. Dharma Dojo hints at Red Hot Chili Peppers, whose vibe pokes its head throughout other points in the album, along with Rage Against The Machine, whose magnetizing riffs obviously reflect back to Gang of Thieves’s style.

The gold star for this album goes to guitarist Nick Wood, whose riffs and solo work glide seamlessly on their own and carry the songs forward on a wave. Wood’s guitar work also weaves well with Michael Reit’s vocals.

Okay, so the lyrics might encroach a bit on cheesiness at times, but the songs never stop being fun. Reit’s fiddle-playing featured in The Bunny Song makes for a pleasantly surprising addition to the track as they close out the album.

The Gang of Thieves, if it was apparent enough in the title track, just want to kick it, and it’s likely they put on the type of live show at which even the most adamantly stand-still-with-arms-crossed folks in the crowd won’t be able to resist some sort of rhythmic movement.--Sarah Ruggiero

Deli Best of New England 2011 - Fans' Poll is up!

We are getting there folks! We just uploaded the full list of artists nominated for our Best of New England 2011 Poll for Emerging Artists. It's in the right column on this same page and also HERE, where you can actually vote. Some bands in the list were selected through a submission process and some others were picked by our jury of local scene-makers, who could freely choose 3 bands each in order of preference. Points were already assigned to each band according to how well they did in the selection process. Now the readers' and fans' votes will also influence the final chart. Each vote will count!

The Deli's Staff

Deli NYC issue 29 is out!

Click on the cover ot read it!.

A Do -- S/T

Boston-based rock quartet A Do knows how to rock—hard. Their self-titled album features plenty of hard-hitting rock songs with dark undertones. After listening to the entire album, it became quite clear to me that the band must listen to a lot of Queens of the Stone Age. No – the third track off the album – is a prime example of this dark, QOTSA-inspired sound. Lead singer Adrienne Bel provides her own backing vocals on this song, taking a page right out of Josh Homme’s playbook. Guitarist Derek LeDoux’s performance on this track is quite excellent as well, adding various licks and unison bends throughout the song.

Bel’s vocal performance is the highlight of this record. Her voice is powerful but not too harsh, a trait that is hard to come by in the realm of hard-rock/grunge singers. Her strong voice is enhanced by high-energy guitar riffs and a rhythm section that knows how to hold down a song.

A Do is currently in the process of preparing a new album that is set to drop this year.--Daniel McMahon

A Do -- No

Anal Cunt -- The Old Testament

Newton, Massachusetts-- a suburb of Boston-- has repeatedly ranked as one of the nation’s safest and wealthiest cities of its size. It also happens to be the spawning place of one of the most hilariously diabolical bands in the nation, or even the world, although that ranking may be harder to prove statistically. The village pride of West Newton, Anal Cunt was led by the late vocalist Seth Putnam from 1998 until 2011, with an ever-changing lineup and a hiatus or two along the way. In June, 2011, Putnam died of a heart attack at the age of 43, but toward the end of his life, he put together what would be Anal Cunt’s lattermost, fully authorized set of recordings.

The Old Testament is a collection of the noisy grindcore band’s most archaic material along with rare and live recordings, released by Relapse Records in November, 2011. Released as a two-disc set, the collection includes their very first demo, which was recorded in April of 1988 but went unreleased until now. Also included are the 47 Song Demo (1988), 88 Song EP (1989), 5,643 Song EP (1989), Another EP (1991), Unplugged EP (1991), and Live EP (1991). Live recordings include shows in Germany and Indiana, and there is also material from several of their 7” splits as well as from The Masters of Noise compilation album. The set also features original liner notes by Putnam.

Anal Cunt are not family friendly, and they’re in your face about being politically incorrect, but in a way that is equal parts metal, awesome, and chuckle-worthy. They grabbed attention with their offensive song titles and lyrics, but these traits mostly appeared in their works after what is included in The Old Testament. Songs included in their early EPs are untitled and lack lyrics entirely, but the band still fit the humor into: Sporadically throughout TOT recordings, Putnam will shriek “Eeenie meenie minie moe,” which also happens to be some of the only decipherable words uttered during a song. And at the beginning of their Schwäbisch Hall, Germany live set, Putnam calmly announces “We’re The Beatles,” before launching into the first noise orgy. Also, listen for an incredibly brief MC Hammer cover in their 7” split with Psycho.

The many albums featured in this set are filled with songs that come as very brief, assaulting blasts with little semblance of form or rhythm. Songs often begin with some heavy, slow chords, and soon after explode into hellish chaos accompanied by Putnam’s varied guttural noises. This may last for around thirty seconds, and then they’ll launch into another one that’s basically indistinguishable from the last. But that’s the point: to make songs that are anti-everything that would typically constitute a song. If there were ever a sudden-death match between a dinosaur and Satan himself, the 5,643 EP might be what that sounds like. Anal Cunt’s early-day material is the most turbulent and cacophonous of their already extreme catalog, whereas later on the band began to incorporate more structure, riffs, and lyrics into their songs. While it is definitely an acquired taste sort of band in general, The Old Testament provides an extensive display of the infamous band’ most deviant and raw works-- you know, before they got all soft in later years.--Sarah Ruggiero



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